We explore nine focal armchairs that double as a sculptural centrepiece in the bedroom.
As part of est magazine issue #46 we explored creating sanctuary in our private spaces using our go-to Product Library. Lifted from the pages of est magazine, these nine armchairs have appeared in from different corners of the globe to fulfil both a functional and sculptural purpose.
This feature originally appeared in The Detail pages of est Magazine Issue 46: (pp. 254-267).
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The is designed by French multidisciplinary designer Pierre Yovanovitch. Made from solid oak and fabric upholstery, this angular chair was created with longevity and sophistication in mind.
Strongly influenced by Japanese craft, Liam Mugavin appreciates wood joinery’s natural, complex nature. is part of a collection that transforms timber from dismantled inner-city homes, cutting pieces into dynamic, contemporary shapes. As a result, the Chair C has an intriguing gravity that appears more simplistic than its design.
A simple and timeless design, the is made from a single bent steel bar and a cover made from leather designed to patina over time. ‘s 1957 design of this chair has been included in MoMA’s permanent collection.
In 1957, the was awarded the Grand Prix at Milan Triennale, the world’s premier design fair. The lounge chair’s low-sitting, sleek structure epitomises both comfort and elegance.
Studio David Thulstrup created the in Denmark as part of curvaceous ‘Font’ collection. The armchair’s main design feature is its rounded backrest that extends into an embracing armrest.
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