Susi Leeton launched her namesake architecture and interior studio in 1997. Described as a “leap of faith”, Susi has continued to leave noticeable marks on the Australian residential design scene ever since. For her highly-resolved portfolio, the architect credits overseas trips, meeting new people and learning about different spaces, cultures and ways of living. However, she maintains through all of this that the Australian design community is in a class of its own, nurturing unique ways of thinking and creating.

In this interview, we touch on Susi’s travels, her twofold approach to design, her love of sculptural staircases and ultimately, how she arrived at where she is today. 

Rome was amazing. I worked in a studio beside the Pantheon and would walk past all these incredible monuments on my way to work every day.  The Pantheon took my breath away every time I stepped inside – to think they built it 2000 years ago blows my mind. I worked with an architect who was a true creative spirit; crossing artistic disciplines. We were designing furniture for Edra; lights for Artemide; set designs for La Scala in Milan. 

Rome also showed me how to respond to history and respect tradition. I love that handmade artisan work is so highly regarded in Italy. Beauty was in overload – a magical experience!

Which of these words, if you had to choose only one, best describes your approach to design; intuitive, intentional or spontaneous? Why?

Susi Leeton: It would have to be two words – intuitive and intentional. They go hand-in-hand in my opinion.

Each design requires an intuitive response to the site’s potential; the way the sun falls, the shadows and light, the function and feel of a space.  

I intuitively listen to the client and intentionally work through the most functional and beautiful options. I often prepare many options before I even show the client one of them. There is a lot of rigour and intent in our designs, even if they do appear intuitive.