The duo selected materials that echo the surrounding beauty of the location. “The materials we used include rough travertine, lime-painted walls, and the extraordinary landscape as the highlight of this meditative retreat.” Hauvette explains. Tamarisk shrubs, feather reeds, olive and cypress trees, and umbrella pines have all reclaimed their rightful place around the retreat while pink flamingoes and herons have returned to fish in the ponds under the gaze of the region’s iconic Camargue horses. “Our main desire was to respect the landscape by making it the main feature,” Madani explains. “The architecture fades away in favour of nature; it becomes its showcase. The rusticity of the Camargue, a true territory of nature, is sublimated,” he adds.
This philosophy is also reflected in the interiors, where organic textures and a muted, earthy palette ground the hotel among its natural surroundings. Selected vintage furniture and lighting pieces from the 1950s, 1960s, and 1970s instill the space with a sense of nostalgia. Notable pieces include the HAY Crate dining chairs in white, used outdoors, a 1970s modular sofa by Peter Ghyczy for Herman Miller, and a checkered Moooi chess table designed by the Swedish design group Front.