A home with has been thoughtfully reshaped into a relaxed, .
Sydney-based architects most recent project – a restored 1980s home in McHahon’s Point, Sydney – sits elevated and nestled in a conservation area, surrounded by . “The decision to work within the existing building envelope was made early on,” says. “We were mindful of preserving the neighbours’ views and minimising changes requiring lengthy council approvals,” she adds.
In the kitchen-dining space, a steel-framed island bench with an adjoining dining table is enhanced by a palette of limed oak, white laminate and Arran Bianco stone. The space features and .
(Top to bottom) Marble bowl by ; vase by Ignem Terrae; carafe by ; bookends by ; black ceramic by .
Pitcher by ; white ceramic vase by Ignem Terrae; painting by Amanda Marburg.
Vase by ; ceramic bowl by ; marble bowl by .
Eva-Marie mentions that they favoured a more contemporary, refined expression rather than an ornate one. Externally, dark timber cladding, white render, blackened steel and tumbled stone culminate to form a relaxed, approachable front.
Internally, the home’s spaces have been rearranged to accentuate the views, including relocating the main living space to the upper level, offering views extending all the way to the . The connecting is defined by a sleek, steel-framed island bench with an adjoining dining table. Sunlit and expansive, this main communal space was what originally inspired the project’s name; ‘heliotropism’ refers to plants moving in the direction of the sun.
; ; ; ; ; artwork by Michael Phillips.
The main living space enjoys views extending all the way to the Sydney Harbour Bridge.
Tio outdoor chair; Mini Clay side table.
; brass folded sculpture from The Visuals; white ceramic by Electric Dreams.
The level below the communal space comprises a dedicated parents’ retreat with a bedroom, walk-in robe, ensuite, powder room and study, while the level beneath that comprises a dedicated space for their daughter to enjoy time with friends. Light enters these spaces via a generous courtyard at the rear, which also offers a reprieve from the intense afternoon sun.
Despite its c and terrace shape, the home has been approached in a way that encourages a circular path of travel rather than a vertical one. This allows occupants to fully appreciate the surrounding landscape.
Studio Prineas have realised a home that prioritises three essential qualities: sunlight, connectivity and views. “The house is rationalised to address these qualities and celebrate the ritual of each space”, Eva-Marie says.
; Dio side table; Flowerpot pendant light; vase by Aerin.
An outdoor courtyard at the home’s rear offers a reprieve from the intense afternoon sun. The space features the Tio outdoor chair.
The exterior of the home is characterised by dark timber cladding, white render, blackened steel and tumbled stone.
Heliotropian sits elevated and nestled in a conservation area, surrounded by homes addressing the water.
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