Even before construction began, the house became a kind of laboratory. Drawings appeared on walls and family-made artworks acted as spontaneous gestures that inscribed the family’s identity into the space. From the beginning, the intention was clear: to create a home that felt singular and expressive, far removed from standardised imagery, and deeply attuned to colour, theatricality, and a vibrant family life.

The house already carried a rich history. A character-filled residence in Outremont, it was defined by warm woodwork and material depth, generous proportions, and a central staircase that anchored the plan. Rather than erase these elements, the design sought dialogue. The staircase was preserved exactly as it was, acting as a point of balance between past and present. Elsewhere, interventions extend the architecture rather than replace it — rounded door frames, reconfigured openings, and redesigned windows soften transitions and introduce a sense of flow.

Function and family life shaped every architectural decision. This includes working from home, with a dedicated art therapy space integrated seamlessly into the domestic flow, and an upstairs office offering focus and retreat. Cabinetry takes the place of traditional partitions, defining zones and creating versatile spaces. Custom doors, in particular became a central design element: glazed wood-framed, solid bespoke designs and louvered wardrobes were developed in close collaboration with local artisans. Each one is functional, tactile, and quietly expressive — part of a broader commitment to craftsmanship and personalisation.

Throughout the house, the atmosphere shifts gently from one zone to the next: a theatrical powder room in soft pinks nodding to the world of Wes Anderson, vibrant and playful spaces for the children, and, in contrast, the parents’ wing — calmer and more sensual, where bedroom and bathroom engage in a quiet, intimate dialogue. Each variation feels deliberate, responding to mood, function, and the rhythms of daily life.