“There’s nothing unnatural about mechanical components,”
Spanning up to 65 inches, Mayer’s metal artworks are comprised of old typewriter parts mounted around a laser-cut aluminum frame with only the original screws, nuts, pins, and springs holding the mirrorlike pieces together. Formed around a central, circular element, the multi-unit assemblages splay outward. Each of the six points—which evoke starfish, despite having one extra arm—often resemble trilobites, pincers, and other creatures and organic elements, merging the manufactured and natural.
“The form and function are based upon our knowledge of the living world around us. I’m interested in making the machine look like a living thing, drawing inspiration from the relationships that the early designers of the typewriter had with nature,” he says.
Mayer purchases between 10 and 15 typewriters each year, which he sources from repair shops, thrift stores, and yard sales around the San Francisco Bay Area. “The more broken the better,” he writes. In the past, he’s gravitated toward the smaller components of the metal machines to assemble
The ongoing series was born out of a residency at Mumbai-based manufacturer
Mayer finished the first sculpture of this most recent series at the beginning of the COVID-19 lockdowns and almost has completed five since. He has plans for ten in total, and you can follow their progress on