It’s hard for architect
These original details reflect the Victorian building fabric Penny was approached to restore while carrying out a modern-day intervention, unlike any the home had seen in the 20th century. Through a contemporary interpretation that honours what came before, the architect took some of the home’s biggest challenges – such as the need for natural light – and turned them into some of its biggest successes. We caught up with Penny to uncover what influenced her design response, the materials she favoured, and why she believes investing in quality fixtures goes beyond aesthetics and function.
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Central to Penny Kinsella Architects’ design process was the desire to honour the home’s heritage. When the architect was first introduced, the Victorian-era spaces were disconnected from the iterations that came afterwards. “I didn’t love the aesthetic and functional disconnect between the front and back halves of the house and between the main living areas and basement,” Penny says. So she set out to open up and reorganise the internal spaces while introducing common design threads.
A lack of natural light isn’t an unexpected challenge when it comes to a historic Melbourne terrace. But Penny says they were further tested by the east-west orientation of the home and the overshadowing of north-facing windows. “It was one of the fundamental elements of the clients’ brief to overcome this,” Penny says. “We removed rooms that blocked east and west light from filtering through the house, creating and enlarging openings and raising ceilings.” A neutral material palette reflects light, while solar skylights were a unique solution for the basement area.
Muted natural materials are the foundation of the home’s palette, sympathetic to the Victorian architecture. “For the upper levels, we introduced refined materials that might have been used when the home was originally built, such as white marble, and applied them in a quietly contemporary way,” Penny says. In the basement, warmth and texture were key, creating more cosy and casual spaces. “The
When specifying bathroom and kitchen fixtures in the home, Penny maintains that those built to last are the most sustainable – and ultimately cost-effective option beyond their aesthetic and practical demands. “Specifying the best products your client can afford is the most responsible approach to authentic, sustainable design,” she says.
Penny selected
The interiors were designed as a backdrop for the clients’ shared passion for art. Their collection includes artists Graham Fransella, Nick Goodwolf, Beatrice Terra, Alyce Bailey, Geoffrey Ricardo, Peter McListy and Joanna Logue. Notable design fittings such as the
Penny says that through their understated and timeless renovation, they’ve ultimately created newfound cohesion across spaces, uses and levels. While it may have been easier to re-build the rear half of the building, she believes that so much of the home’s accumulated history and character would have been lost. “In finding a solution to some of the greatest challenges and working with them rather than against them, we’ve achieved a richer and more beautiful outcome.”
“The Rogerseller fixtures epitomise the overall design philosophy behind the renovation; quality, refined design, timelessness and understated decoration.”
– Penny Kinsella
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