In 1959
“I start with various sketches and a considerable amount of time figuring out what my intentions are about a specific piece. This represents multiple iterations with sketches whether it is inspired by, as examples, erosions carved by the wind or water, dunes formations, ripples in the sand, physical sensations, motions, emotions, the grass or leaves in trees pushed by the wind and the infinite myriads of patterns small or large nature is made of.”
“Then I start to model the concepts until I think it is ready to receive a silicon mold. With this mold, we pull a wax for the lost wax process at the foundry and to finally do the casting. After removing the sprues and chasing the surface of the steel, I start to play with the reflectivity of the surface up to the most polished parts of the final sculpture.”
The artist can be followed on his
Images: Courtesy of Gil Bruvel.