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It’s the tiny details that get
After teaching art for nearly a decade, Samantha launched Public House Co. two years ago, and found an immediate customer fan base. Today, she works out of her cozy home studio in Kansas City, Missouri, in a light-filled room where her children play and make art beside her. As she grows her business, Samantha remains committed to treating each of her clients with care as she brings their one-of-a-kind visions to life on paper. “I have so many brides who say, ‘I trust you, do your thing,’” Samantha says. “When they give me free rein, it’s amazing. It feels less like a job, and more like a lifestyle.”
Read on to discover some of Samantha’s most memorable commissions, and
How did you get started creating custom illustrated
I’ve always been drawn to architecture, interiors, and design. When I started staying home with my two youngest girls, I needed to fill that void a little bit, so I did a few portraits for friends and family, and they were really encouraging. After that, I decided to make some practice portraits of houses and sell them on Etsy. I made 15 sales that first month, which just blew me away. It was organic in the sense that I wasn’t pushing toward something—it was coming to me.
Today, your entire line is custom. How did you come to focus on personalization?
So many people wanted
How would you describe your creative approach?
I try really hard to incorporate a fresh, warm feeling in
Can you walk us through the process of how you create a
Before I get started, I like to get a visual of what the whole day is going to look like, so I’ll ask the customer to send me links to the wedding venue and their Pinterest board, which is especially helpful if we’re doing custom florals mixed in.
Once I have a sense of the vibe, I sketch everything out in pencil and paint, and then I pen over it to add the little details. Next, I photograph the work, pull it onto my computer, and touch it up a bit. I always send digital sketches, but if a client wants to keep the original artwork of their venue or portrait, I’m happy to send it their way for a little keepsake. I think it’s a great way to remember the day.
Can you tell us about a particularly memorable order?
One couple I worked with, Alison and Ryan, first asked me to do their save-the-date. They had this gorgeous venue, which was built out of limestone in the early 1800s. I painted it and it turned out beautifully, so they came back for a
They had a joint wedding email address, and as we were sending files back and forth, Ryan kept chiming in to say, “I’m just so excited about this, it looks great!” I was thrilled, because grooms don’t always have as much to say about this stuff. For this particular suite, I did custom florals, and they really trusted and challenged me. Theirs is one of the most romantic, whimsical wedding suites that I’ve ever done.
Pivoting to presents, what’s the most popular item in your shop that people give as a gift?
Your pieces also make great gifts for weddings. Is that something you see a lot of?
Yes! Lots of customers will purchase
In terms of that process, it’s the same: They’ll send photos of the couple and the house and I tie it all together. Once I send it off, my job is done, but I get a lot of lovely follow-up emails from customers. People will reach out and say, “It was the most talked-about gift at the shower, everyone thought it was the cutest thing ever!” I love hearing that.
So, what’s next for Public House Co.?
One of my goals for this year is to create more
Studio and process photographs courtesy of Public House Co. Invitation photographs by
Sharon Steel is a writer and editor living in New York City. Her heroes are Jane Austen, Carson McCullers, Lindsay Weir, Shirley Jackson, Lillian Ross, and the renegade crew of the spaceship Serenity. Read more of her work at sharoncsteel.com.