Selected along with
The proposed chapel design seeks a harmonious integration between the water and trees that surround Venice, with the nearby vegetation outlining the interior space of the chapel. The space between the treetops – which offers a view of the sky – functions as the ceiling of the chapel.
Structurally, the chapel is framed by four beams in a square section, measuring 12 by 12 centimeters and 8 meters in length, shaped by a standing cross, and another cross projected on the ground. One serves as a bench, the other as a cross: two vital elements of Catholic architecture. The structure is built on concrete sleepers distanced every meter, elevating the chapel floor. The concrete elements give a certain feeling to the space as a whole. The beams are made of polished stainless steel, transforming them into mirrors that reflect the surroundings. With these beams, the chapel can “disappear” at certain times, depending on the reflection of the sun, and trees.
Among those selected are the award-winning Pritzker architects Eduardo Souto de Moura (Portugal) and Norman Foster (England), as well as South America’s Smiljan Radic (Chile) and Javier Corvalán (Paraguay). The selection was completed by Flores & Prats (Spain), Francesco Celini (Italy), Sean Godsell (Australia), Andrew Berman (United States), and Teronobu Fujimori (Japan). The curator is Francesco Dal Co, an architectural critic, historian, and editor of Casabella Magazine since 1996.
The chapels will be built on the Island of San Giorgio Maggiore, next to the famous basilica of