Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González. Image © María González

Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González. Image © María González

The modern movement was a key player in the cultural construction of Chile in the 20th century. Although the first projects came from the private sector, their urban and landscape principles were adopted by the modernizing project of the welfare state that began to be built after the social conflicts that exploded in the 1920s. 

During chile’s industrialization process, the State’s housing construction incorporated concepts such as liveability, and universal access to housing and sanitation, which were put to the test early on in the reconstruction of cities such as Chillán after the 1939 earthquake. As Chile is a country that is familiar with earthquakes, it was necessary to readjust the concepts of the modern movement to national structural requirements, that is, resizing the reinforced concrete sections, which gave them a heavier visual expression than in Brazil or Argentina.

From the daring vision of Sergio Larraín García-Moreno and Jorge Arteaga in the Oberpaur building – the first of the modern movement – to the urban visions of BVCH in the Villa Portales, or the first exercises in height in the upper middle class sectors, the modern movement has left its mark on our society and in our cities. However, only one of the projects presented here is declared a historical monument. 

In this edition of the architectural guides, we present you twenty chronologically ordered projects that reflect the evolution of the modern movement in Santiago, Chile. 

Oberpaur Building / Sergio Larraín García-Moreno + Jorge Arteaga


Oberpaur Building / Sergio Larraín García-Moreno + Jorge Arteaga. Image © Alex Rojas

Oberpaur Building / Sergio Larraín García-Moreno + Jorge Arteaga. Image © Alex Rojas

Its completely continuous horizontal spaces and its open plan demonstrated the power of reinforced concrete, making this the first project of the modern movement in Chile. However, society’s reaction was not as expected: in a conversation with Teresa de Lima Campos and Humberto Eliash in 1982, Sergio Larraín recalled: “I was insulted on the street, they would say to me “with the traditions that you have, of having had a good education, to have been in Europe, then you bring these dreadful things here.” 

In 2015, Maximiano Atria, the secretary general of Docomomo, warned in the national press that “by not being protected, it is subject to the decisions of its owner, being located in an area with high added value, one where we have already begun to see demolitions to build highrises.”

Year: 1929
Address: Estado 202 al 250, Huérfanos 902 al 944 

The Boat Building / Sergio Larraín García-Moreno


The Boat Building / Sergio Larraín García-Moreno. Image © Manuel Albornoz

The Boat Building / Sergio Larraín García-Moreno. Image © Manuel Albornoz

Year: 1932-1934
Address: Santa Lucía 382, Santiago

Plaza de Armas Building / Sergio Larraín García-Moreno + Emilio Duhart + Jaime Sanfuentes + Osvaldo Larraín + Juan Larraín


Plaza de Armas Building / Sergio Larraín García-Moreno + Emilio Duhart + Jaime Sanfuentes + Osvaldo Larraín + Juan Larraín. Image © Santiago Nostálgico [Flickr], bajo licencia CC BY-ND 2.0

Plaza de Armas Building / Sergio Larraín García-Moreno + Emilio Duhart + Jaime Sanfuentes + Osvaldo Larraín + Juan Larraín. Image © Santiago Nostálgico [Flickr], bajo licencia CC BY-ND 2.0

During the 1950s, in Santiago’s center, buildings were constructed to fill up spaces, generating a single large volume, with interior yards filled with light that were joined with their neighbors through a continuous facade and height. 

A group of five architects with postgraduate degrees from the United States were commissioned to build in an area adjacent to the Plaza de Armas by businessman Jorqe Sarquís. The architects -with fresh ideas after their years in the United States- “devoted a great amount of effort to convince [Jorge Sarquís] to accept a different model”, as Armando Caroca recalls in “The Traces of Time: Entropy and Transformation in the Plaza de Armas Building of Santiago.” 

The Plaza de Armas Building became the first example of tower-plate typology in Chile, replicating the logic of residential vertical volume and the horizontal commercial plate.

Year: 1954
Address: Monjitas 879, Santiago

Carozzi Industrial Complex / Emilio Duhart + Luis Mitrovic


The Carozzi Industrial Complex / Emilio Duhart + Luis Mitrovic. Image © Warko [Wikimedia Commons], bajo licencia <a href="http://creativecommons.org/licenses/by-sa/3.0" title="Creative Commons Attribution-Share Alike 3.0">CC BY-SA 3.0</a></noindex></noindex>‘ title=’The Carozzi Industrial Complex / Emilio Duhart + Luis Mitrovic. Image © Warko [Wikimedia Commons], bajo licencia <noindex><noindex><a target="_blank" rel="nofollow" href="http://creativecommons.org/licenses/by-sa/3.0" target="_blank" rel="nofollow" title="Creative Commons Attribution-Share Alike 3.0">CC BY-SA 3.0</a></noindex></noindex>‘></a><br />
  <small>The Carozzi Industrial Complex / Emilio Duhart + Luis Mitrovic. Image © Warko [Wikimedia Commons], bajo licencia <noindex><noindex><a target="_blank" rel="nofollow" href="http://creativecommons.org/licenses/by-sa/3.0" target="_blank" rel="nofollow" title="Creative Commons Attribution-Share Alike 3.0">CC BY-SA 3.0</a></noindex></noindex></small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1961<br /><strong>Address:</strong> Longitudinal Sur, Kilómetro 23, Santiago</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.plataformaarquitectura.cl/cl/02-335752/clasicos-de-arquitectura-conjunto-habitacional-remodelacion-republica-vicente-bruna-german-wijnant-victor-calvo-jaime-perelman-y-orlando-sepulveda" target="_blank" rel="nofollow" target="_blank">República Remodelling / Vicente Bruna + Germán Wijnant + Víctor Calvo + Jaime Perelman + Orlando Sepúlveda</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9c8eeb22e38f3470000e3-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/c8ee/b22e/38f3/4700/00e3/medium_jpg/Remodelacio%CC%81n_Republica.jpg?1505347807" alt="República Remodelling / Vicente Bruna + Germán Wijnant + Víctor Calvo + Jaime Perelman + Orlando Sepúlveda. Image © María González" title="República Remodelling / Vicente Bruna + Germán Wijnant + Víctor Calvo + Jaime Perelman + Orlando Sepúlveda. Image © María González"></a></noindex></noindex><br />
  <small>República Remodelling / Vicente Bruna + Germán Wijnant + Víctor Calvo + Jaime Perelman + Orlando Sepúlveda. Image © María González</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1957-1963<br /><strong>Address:</strong> República 702, Santiago</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.arquibus.cl/210-poniente/edificio-reval/#punto-5" target="_blank" rel="nofollow" target="_blank">Reval Building / Jorge Aguirre + Rafael Saavedra + Guillermo Geisse</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9a0f0b22e38f34700009d-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/a0f0/b22e/38f3/4700/009d/medium_jpg/ED_Reval.jpg?1505337579" alt="Reval Building / Jorge Aguirre + Rafael Saavedra + Guillermo Geisse. Image © Manuel Albornoz" title="Reval Building / Jorge Aguirre + Rafael Saavedra + Guillermo Geisse. Image © Manuel Albornoz"></a></noindex></noindex><br />
  <small>Reval Building / Jorge Aguirre + Rafael Saavedra + Guillermo Geisse. Image © Manuel Albornoz</small><br />
</figure>
</p>
<p dir="ltr">One of the most radical formal proposals along Alameda (Santiago’s main street) is this cylindrical building, which ensures its absolute independence from its neighbors. Accompanied at the first-floor level by a commercial space, the 13-story tower (originally destined as a living space) occupies a privileged place in the city’s center, located next to the University of Chile’s main house and the palace of La Moneda. Its unique shape remains a point of reference, and the simplicity of its aluminum façade resists with dignity the passage of time, despite the profusion of air conditioning boxes that invade it. </p>
</p>
<p dir="ltr"><strong>Year:</strong> 1963<br /><strong>Address:</strong> Avenida Libertador Bernardo O’Higgins (Alameda) 1112, Santiago</p>
</p>
<h3 dir="ltr">Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González</h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9c92cb22e382c000001bb-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/c92c/b22e/382c/0000/01bb/medium_jpg/Villa_Olimpica.jpg?1505347865" alt="Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González. Image © María González" title="Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González. Image © María González"></a></noindex></noindex><br />
  <small>Villa Olímpica / Rodolfo Bravo + Jorge Poblete + Ricardo Carvallo + Pablo Hegedus, Julio Mardones + Gonzalo Mardones + Sergio González. Image © María González</small><br />
</figure>
</p>
<p dir="ltr">The Exequiel González Cortés Neighborhood Unit, better known as Villa Olímpica, was built between 1960 and 1963 to celebrate the 1962 World Cup. It is composed of 23 two-story blocks, 32 four-story blocks, 48 blocks of five stories, and a tower of fifteen floors for a total of 2,601 homes. The blocks are arranged in macro-blocks forming central squares destined for recreation. </p>
</p>
<p dir="ltr"><strong>Year:</strong> 1961-1964<br /><strong>Address:</strong> Carlos Dittborn and Lo Encalada, in Ñuñoa</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.plataformaarquitectura.cl/cl/625445/en-detalle-ventanas-modernas-del-centro-de-santiago" target="_blank" rel="nofollow" target="_blank">Huérfanos 1373 / Jaime Larraín + Osvaldo Larraín + Roberto Muller + Jaime Rodríguez</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9c8dbb22e382c000001b9-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/c8db/b22e/382c/0000/01b9/medium_jpg/Huerfanos_1373.jpg?1505347789" alt="Huérfanos 1373 / Jaime Larraín + Osvaldo Larraín + Roberto Muller + Jaime Rodríguez. Image © María González" title="Huérfanos 1373 / Jaime Larraín + Osvaldo Larraín + Roberto Muller + Jaime Rodríguez. Image © María González"></a></noindex></noindex><br />
  <small>Huérfanos 1373 / Jaime Larraín + Osvaldo Larraín + Roberto Muller + Jaime Rodríguez. Image © María González</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1964<br /><strong>Address:</strong> Huérfanos 1373, Santiago</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="https://issuu.com/aoachile/docs/revista_aoa_14" target="_blank" rel="nofollow" target="_blank">The Lido Parking Building / Jaime Larraín + Osvaldo Larraín</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9a0dbb22e38f34700009c-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/a0db/b22e/38f3/4700/009c/medium_jpg/ED_Estacionamiento.jpg?1505337558" alt="The Lido Parking Building / Jaime Larraín + Osvaldo Larraín. Image © Manuel Albornoz" title="The Lido Parking Building / Jaime Larraín + Osvaldo Larraín. Image © Manuel Albornoz"></a></noindex></noindex><br />
  <small>The Lido Parking Building / Jaime Larraín + Osvaldo Larraín. Image © Manuel Albornoz</small><br />
</figure>
</p><!-- adman_adcode (middle, 1) --><br><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js"></script>
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<p dir="ltr">Nine floors plus three underground levels make for a total of 252 parking spaces. The facade is detailed with a prefabricated concrete module coated in lead-colored micro ceramics. Puyta plastic composition. The constructive system is very similar to that of fabric, where the point is interlocked to form the fabric, entering and exiting to produce the tie, giving it body and thickness, which runs vertically through the building. </p>
</p>
<p dir="ltr"><strong>Year:</strong> 1964<br /><strong>Address:</strong> Huérfanos 626</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.plataformaarquitectura.cl/cl/02-59719/clasicos-de-arquitectura-capilla-del-monasterio-benedictino-gabriel-guarda-martin-correa" target="_blank" rel="nofollow" target="_blank">The Benedictine Monastery Chapel / Gabriel Guarda + Martín Correa</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b94a94b22e38f347000040-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/4a94/b22e/38f3/4700/0040/medium_jpg/fotoa-ruben-munoz-2011.jpg?1505315472" alt="The Benedictine Monastery Chapel / Gabriel Guarda + Martín Correa. Image © Rubén Muñoz" title="The Benedictine Monastery Chapel / Gabriel Guarda + Martín Correa. Image © Rubén Muñoz"></a></noindex></noindex><br />
  <small>The Benedictine Monastery Chapel / Gabriel Guarda + Martín Correa. Image © Rubén Muñoz</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1964<br /><strong>Address:</strong> Montecassino, Las Condes</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.plataformaarquitectura.cl/cl/02-55751/clasicos-de-arquitectura-edificio-de-cepal-emilio-duhart" target="_blank" rel="nofollow" target="_blank">CEPAL / Emilio Duhart</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9c8c9b22e38f3470000e2-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/c8c9/b22e/38f3/4700/00e2/medium_jpg/Cepal.jpg?1505347777" alt="CEPAL / Emilio Duhart. Image © María González" title="CEPAL / Emilio Duhart. Image © María González"></a></noindex></noindex><br />
  <small>CEPAL / Emilio Duhart. Image © María González</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1966<br /><strong>Address:</strong> Dag Hammarskjöld 3477, Vitacura</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.plataformaarquitectura.cl/cl/02-126059/clasicos-de-arquitectura-torres-de-tajamar-luis-prieto-vial-b-v-c-h" target="_blank" rel="nofollow" target="_blank">Tajamar Towers / Luis Prieto Vial + BVCH</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b94bd0b22e382c0000004f-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/4bd0/b22e/382c/0000/004f/medium_jpg/13670187903_4d606e16aa_o.jpg?1505315786" alt="Tajamar Tower / Luis Prieto Vial + BVCH. Image © Leonardo Benavente [Flickr], bajo licencia <a href=CC BY-NC-ND 2.0
” title=”Tajamar Tower / Luis Prieto Vial + BVCH. Image © Leonardo Benavente [Flickr], bajo licencia CC BY-NC-ND 2.0“>
Tajamar Tower / Luis Prieto Vial + BVCH. Image © Leonardo Benavente [Flickr], bajo licencia CC BY-NC-ND 2.0

Year: 1967
Address: Providencia 1100, Providencia

University Unit UTE (currently USACH) / BVCH

Year: 1957-1967
Address: the quadrant is limited by Portales (north), Los Tilos, Matucana, Ecuador, General Velásquez (Central Highway), El Belloto, Las Sophoras in Central Station.

Portales Neighbourhood Unit / BVCH


Portales Neighbourhood Unit / BVCH. Image © María González

Portales Neighbourhood Unit / BVCH. Image © María González

This building emerged in 1952 as part of a project by the Private Employees Pension Fund which invested surplus earnings into housing for its owners, becoming the first experimental neighborhood unit in Santiago. Popularly known as Villa Portales, the 31-hectare project consisted of large blocks of houses arranged parallel and perpendicularly, which generated large gaps between each block of houses, representing traditional city blocks in an abstract way. 1,860 homes were proposed and distributed in one or two-story houses, and single and duplex apartments in buildings that range between five and seven floors. The decision to include houses was used as a strategy to mediate the scale between the large blocks and green spaces, allowing them to reach the required densities. 

From an urban point of view, it was proposed that the blocks and houses be placed on a green surface that would function as the horizontal extension of the Quinta Normal park. A change in legislation during the government of Jorge Alessandri (1958-1964) limited the resources allocated to housing, which resulted in the discontinuity of footbridges, problems in the completion of facades, and the decision to cancel the construction of a set of collective facilities, which included offices, a commercial pergola, a market, a school, a church, a theater and a casino. 

Year: 1954-1968
Address: the quadrant is limited by Portales (north), Las Sophoras, El Belloto y General Velásquez (Central Highway) in Central Station

Villa Frei / Jaime Larraín + Osvaldo Larraín + Diego Balmaceda


Carolina Olmedo Carrasco [Wikimedia Commons], bajo licencia <a href="http://creativecommons.org/licenses/by-sa/3.0">CC BY-SA 3.0</a></noindex></noindex>. ImageVilla Frei / Jaime Larraín + Osvaldo Larraín + Diego Balmaceda’ title=’Carolina Olmedo Carrasco [Wikimedia Commons], bajo licencia <noindex><noindex><a target="_blank" rel="nofollow" href="http://creativecommons.org/licenses/by-sa/3.0" target="_blank" rel="nofollow" >CC BY-SA 3.0</a></noindex></noindex>. ImageVilla Frei / Jaime Larraín + Osvaldo Larraín + Diego Balmaceda’></a><br />
  <small>Carolina Olmedo Carrasco [Wikimedia Commons], bajo licencia <noindex><noindex><a target="_blank" rel="nofollow" href="http://creativecommons.org/licenses/by-sa/3.0" target="_blank" rel="nofollow" >CC BY-SA 3.0</a></noindex></noindex>. ImageVilla Frei / Jaime Larraín + Osvaldo Larraín + Diego Balmaceda</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1965-1968<br /><strong>Address:</strong>  the quadrant is limited by Irarrázaval (north), Ramón Cruz Montt, Grecia and Alcalde Jorge Monckeberg, in Ñuñoa</p>
</p>
<h3 dir="ltr">Providencia Neighbourhood Unit / <noindex><noindex><a target="_blank" rel="nofollow" href="http://www.archdaily.com/tag/carlos-barella-iriarte" target="_blank" rel="nofollow" >Carlos Barella Iriarte</a></noindex></noindex> + Isaac Eskenazi</h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9c914b22e38f3470000e4-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/c914/b22e/38f3/4700/00e4/medium_jpg/Unidad_Vecinal_Proviencia_.jpg?1505347848" alt="Providencia Neighbourhood Unit / Carlos Barella Iriarte + Isaac Eskenazi. Image © María González" title="Providencia Neighbourhood Unit / Carlos Barella Iriarte + Isaac Eskenazi. Image © María González"></a></noindex></noindex><br />
  <small>Providencia Neighbourhood Unit / Carlos Barella Iriarte + Isaac Eskenazi. Image © María González</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1957-1968<br /><strong>Address:</strong>  the quadrant is limited by Providencia (north), Carlos Antúnez, Marchant Pereira, Humberto Bianchi, Doctor Solis de Ovando, Doctor La Sierra and Antonio Varas in Providencia</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="http://www.arqmodern.com/2015/05/11/caso-no14/" target="_blank" rel="nofollow" target="_blank">Pedro de Valdivia Building / Eduardo Cuevas Valdés + Pedro Murtinho + Carlos Silva Anguita + Héctor Durán Ortiz de Zarate + José García Huidobro + Juan Casanova</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9a0e6b22e382c0000015f-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/a0e6/b22e/382c/0000/015f/medium_jpg/ED_Pedro_de_Valdivia.jpg?1505337569" alt="Pedro de Valdivia Building / Eduardo Cuevas Valdés + Pedro Murtinho + Carlos Silva Anguita + Héctor Durán Ortiz de Zarate + José García Huidobro + Juan Casanova. Image © Manuel Albornoz" title="Pedro de Valdivia Building / Eduardo Cuevas Valdés + Pedro Murtinho + Carlos Silva Anguita + Héctor Durán Ortiz de Zarate + José García Huidobro + Juan Casanova. Image © Manuel Albornoz"></a></noindex></noindex><br />
  <small>Pedro de Valdivia Building / Eduardo Cuevas Valdés + Pedro Murtinho + Carlos Silva Anguita + Héctor Durán Ortiz de Zarate + José García Huidobro + Juan Casanova. Image © Manuel Albornoz</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1965-1971<br /><strong>Address:</strong> Providencia 1979, Providencia</p>
</p>
<h3 dir="ltr">San Borja Remodelling / BVCH</h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b94dbab22e38f347000046-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-photo" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/4dba/b22e/38f3/4700/0046/medium_jpg/Remodelaci%C3%B3n_San_Borja.jpg?1505316278" alt="San Borja Remodelling / BVCH. Image © Bruno Giliberto" title="San Borja Remodelling / BVCH. Image © Bruno Giliberto"></a></noindex></noindex><br />
  <small>San Borja Remodelling / BVCH. Image © Bruno Giliberto</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1969-1974<br /><strong>Address: </strong>the quadrant is limited by Avenida Libertador Bernardo O’Higgins (Alameda) (north), Ramón Corvalán Melgarejo, Diagonal Paraguay and Portugal</p>
</p>
<h3 dir="ltr">Central Post Office Building / Boris Guiñeman + Carlos Bresciani</h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b9576db22e38f347000048-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-image" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/576d/b22e/38f3/4700/0048/medium_jpg/Correos.jpg?1505318762" alt="Central Post Office Building / Boris Guiñeman. Image via Google Street View" title="Central Post Office Building / Boris Guiñeman. Image via Google Street View"></a></noindex></noindex><br />
  <small>Central Post Office Building / Boris Guiñeman. Image via Google Street View</small><br />
</figure>
</p>
<p dir="ltr"><strong>Year:</strong> 1970-1974<br /><strong>Address:</strong> Exposición 221, Estación Central</p>
</p>
<h3 dir="ltr"><noindex><noindex><a target="_blank" rel="nofollow" href="https://institutonacional.cl/el-instituto/dependencias/edificio-principal/" target="_blank" rel="nofollow" target="_blank">National Institute / José Llambías Merchant</a></noindex></noindex></h3>
<figure><noindex><noindex><a target="_blank" rel="nofollow" href="https://www.archdaily.com/889710/a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about/59b94f89b22e38f347000047-a-guide-to-santiagos-modern-architecture-20-projects-you-need-to-know-about-image" target="_blank" rel="nofollow" ><br />
    <img src="https://images.adsttc.com/media/images/59b9/4f89/b22e/38f3/4700/0047/medium_jpg/Fachada_Principal_IN.jpg?1505316733" alt=GFDL
. ImageInstituto Nacional / José Llambías Merchant’ title=’Simón González B., under licence GFDL. ImageInstituto Nacional / José Llambías Merchant’>
Simón González B., under licence GFDL. ImageInstituto Nacional / José Llambías Merchant

Year: 1960-1977
Address: Arturo Prat 33, Santiago

References

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